Kagemusha movie review & film summary (1980)

Publish date: 2024-07-18

But he is not Lord Shingen. And so every scene is undercut with irony. It is important that both friends and enemies believe Shin-gen is alive; his appearance, or shadow, creates both the respect of his clan and the caution of his enemies. If he is unmasked, he is useless; as Shingen's double, he can send hundreds of men to be killed, and his own guards will willingly sacrifice their lives for him. But as himself, he is worthless, and when he is unmasked, he's banished into the wilderness.

What is Kurosawa saying here? I suspect the answer can be found in a contrast between two kinds of scenes. His film contains epic battle scenes of astonishing beauty and scope. And then there are the intimate scenes in the throne room, the bedroom, the castles, and battlefield camps. The great battle scenes glorify the samurai system. Armies of thousands of men throw themselves heedlessly at death, for the sake of pride. But the intimate scenes undermine that glorious tradition; as everyone holds their breath, Shingen's double is tested in meetings with his son, his mistresses, and his horse. They know him best of all. If they are not fooled, all of the panoply and battlefield courage is meaningless, because the Takeda clan has lost the leader who is their figurehead; the illusion that he exists creates the clan's reality.

Kurosawa made this film after a decade of personal travail. Although he is often considered the greatest living Japanese director, he was unable to find financial backing in Japan when he first tried to make "Kagemusha." He made a smaller film, "Dodes'ka-den," which was not successful. He tried to commit suicide, but failed. He was backed by the Russians and went to Siberia to make the beautiful "Dersu Uzala" (1976), about a man of the wilderness. But "Kagemusha" remained his obsession, and he was finally able to make it only when Hollywood directors Francis Ford Coppola and George Lucas helped him find U.S. financing.

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